Lippold Haken’s Publications

 

L. Haken, K. Fitz, and P. Christensen,  “Beyond Traditional Sampling Synthesis: Real-time Timbre Morphing Using Additive Synthesis,” to appear in The Sound of Music, J. Beauchamp, Editor, Springer Verlag, 2005.

 

K. Fitz, L. Haken, S. Lefvert, C. Champion, and M. O'Donnell , “Cell-utes and Flutter-Tongued Cats: Sound Morphing Using Loris and the Reassigned Bandwidth-Enhanced Model,” Computer Music Journal, Vol. 27, No. 3, pp. 44-65, 2003.  [Sound examples accompany Vol. 27, No. 4, 2003]

 

L. Haken, C. Alix, C. Burdette, “System to localize the position of a medical device,” U.S. and international patents pending, Computerized Medical Systems of St. Louis, Dec. 2003.

 

K. Fitz and L. Haken, “On the Use of Time-Frequency Reassignment in Additive Sound Modeling,” Journal of the Audio Engineering Society, Vol. 50, No. 11, 2002.  

 

K. Fitz, L. Haken, S. Lefvert, and M. O’Donnel, “Sound Morphing using Loris and the Reassigned Bandwidth-Enhanced Additive Sound Model: Practice and Applications,” Proc. International Computer Music Conference, Gothenburg, Sweden, 2002.

 

L.Haken, “Continuous Music Keyboard,” U.S. Patent No. 6703552, Jul. 19, 2001.

 

K. Fitz, L. Haken, and P. Christensen,  “A New Algorithm For Bandwidth Association in Bandwidth-Enhanced Additive Sound Modeling,” Proc. International Computer Music Conference, Berlin, Germany, 2000.

 

K. Fitz, L. Haken, and P. Christensen, “Transient Preservation Under Transformation in an Additive Sound Model,” Proc. International Computer Music Conference, Berlin, Germany, 2000.

 

D. Blostein and L. Haken, “Using Diagram Generation Software to Improve Diagram Recognition: A Case Study of Music Notation,” IEEE Pattern Analysis and Machine Intelligence, 1999.

 

K. Fitz and L. Haken, “Improving Additive Sound Modeling Using the Method of Reassignment,” Proc. 1999 IEEE Workshop on Applications of Signal Processing  to Audio and Acoustics,  Oct. 17-20, 1999.  

 

L. Haken, K. Fitz, E. Tellmann, P. Wolfe, P. Christensen, “A Continuous music Keyboard Controlling Polyphonic Morphing Using Bandwidth-Enhanced Oscillators, ” Proc. International Computer Music Conference, Thessaloniki, Greece, 1998.  

 

L. Haken, E. Tellmann, and P. Wolfe, “An Indiscrete Music Keyboard,” Computer Music Journal, Vol. 22, No. 1, pp. 30-48, 1998.  

 

D. Blostein and L. Haken, “Exploiting Diagram Generators in the Construction of Diagram Recognizers, ” Proc. Workshop on Graphics Recognition, Nancy, France, Aug. 1997.

 

D. Cottle and L. Haken,  “Graphical Object Descriptions of Music: Lime’s Tilia,”  Beyond MIDI: A Handbook of Musical Codes, E. Selfridge-Field, Editor, MIT Press, 1997.

 

K. Fitz and L. Haken, “Sinusoidal Modeling and Manipulation Using Lemur,” Computer Music Journal, Vol. 20, No. 4 , 1996.  

 

E. Tellmann, L. Haken, and B. Holloway, “Timbre Morphing of Sounds with unequal Numbers of Features,” Journal of the Audio Engineering Society, Vol. 43, No. 9, 1995.  

 

K. Fitz and L. Haken, “Bandwidth Enhanced Sinusoidal Modeling in Lemur, ” Proc. International Computer Music Conference, Banff, 1995.  

 

L. Haken, “Real-Time Timbre Modifications using Sinusoidal Parameter Streams, ” Proc. International Computer Music Conference, Banff, 1995.

 

K. Fitz, L. Haken, and B. Holloway, “Lemur - A Tool for Timbre Manipulation,” Proc. International Computer Music Conference, Banff, 1995.  

 

L. Haken and D. Blostein, “A New Algorithm for Horizontal Spacing of Printed Music,” Proc. International Computer Music Conference, Banff, 1995.

 

D. Blostein and L. Haken, “The Lime Music Editor: A Diagram Editor  Involving Complex Translations,” Software Practice and Experience, Vol. 24, No. 3, pp. 289-306, 1994.

R. Uribe, L. Haken, and M. Loui, “A Design Laboratory in Electrical and Computer Engineering for Freshmen,” IEEE Transactions on Education, Vol. 37, No. 2, 1994.

D. Blostein  and L. Haken, “The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor,” Computer Music Journal, Vol. 18, 1994.

A. Horner, J. Beauchamp, and L. Haken, “FM Matching Synthesis using Genetic Algorithms,” Computer Music Journal, Vol. 17, No. 3, pp. 17-29, 1993.

A. Horner, J. Beauchamp, and L. Haken,  “Methods for Multiple Wavetable Synthesis of Musical Instrument Tones,” Journal of the Audio Engineering Society, Vol. 45, No. 5, pp. 336-56, May 1993.

R. Uribe, L. Haken, and M. Loui, “A Design Laboratory in Electrical and Computer Engineering for Freshmen,” American Society for Engineering Education, Terre Haute IN, Mar. 1993.

 

L. Haken, “Airflow Measurements for Automatic Speech Recognition,” invention disclosure, University of Illinois, 1993.

L. Haken, “Computational Methods for Real-time Fourier Synthesis,” IEEE Transactions on Signal Processing, Vol. 40, No. 9, pp. 2327-29, Sept. 1992.

L. Haken, R. Abdullah, and M. Smart, “The Continuum: A Continuous Music Keyboard,” Proc. International Computer Music Conference, San Jose, California, pp. 81-85, Oct. 1992.

B. Holloway  and L. Haken, “A Sinusoidal Synthesis Algorithm for Generating Transitions Between Notes,” Proc. International Computer Music Conference, San Jose, California, pp. 14-18, Oct. 1992.

K. Fitz and L. Haken, “Extending the McAulay-Quatieri Analysis for Synthesis with a Limited Number of Oscillators,” Proc. International Computer Music Conference, San Jose, California, pp. 381-383, Oct. 1992.

A. Horner, J. Beauchamp, and L. Haken, “Wavetable and FM Matching Synthesis of Musical Instrument Tones,” Proc. International Computer Music Conference, San Jose, California, pp. 18-22, October 1992.

 

L. Haken, D. Blostein, and W. Walker, “Lime Music Notation Software for the Macintosh,” Proc. International Computer Music Conference, Montreal, Quebec, pp. 582-585, Oct. 1991.

D. Blostein, and L. Haken, “Justification of Printed Music,” Communications of the ACM, Vol. 34, No. 3, pp. 88-99, Mar. 1991. 

D. Blostein  and L. Haken, “Template Matching for Rhythmic Analysis of Music Keyboard Input,” Proc. 10th International Conference on Pattern Recognition, Atlantic City NJ, pp. 767-770, Jun. 1990.

 

L. Haken L. and K. Hebel, “Platypus Programmer’s Reference Manual,” CERL Sound Group, Computer-based Education Research Laboratory, University of Illinois, 1988.

 

L. Haken L. and S. Williams, “Zephyr Hardware Manual: Design and Operation of a Mainframe Computer,” CERL  Sound Group, Computer-based Education Research Laboratory, University of Illinois, 1987.

 

L. Haken L. and V. Schmid, “The Interactive Music System User’s Manual,” CERL Sound Group, Computer-based Education Research Laboratory, University of Illinois, 1984.

 

L. Haken, D. Blostein, and W. Walker, “Lime Music Notation Software,” CERL Music Group, Computer-based Education Research Laboratory, University of Illinois, 1982.

 

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